Misterio, Thriller Películas De La Transfiguración (2017) ' title='Misterio, Thriller Películas De La Transfiguración (2017) ' />study Sets and Flashcards. He was a ...2. She is by , and...4. The will : not,,,, p...1. The Angel Gabriel was sent from God to a Virgin (. Hail, full of grace, the Lord is with thee. Blessed Are You...3. She was troubled by these words, and it ran what it means...4. The Angel said: fear not, Mary, for you have found graci...1. He was a ...1. The Angel Gabriel was sent from God to a Virgin (. Hail, full of grace, the Lord is with thee. LOOK FOR FILMS IN THEATRES. The transfiguracin, The Madonna of Foligno. Title original: The Unspoken. List of films of. Z. the woman travels to Italy to desentraar the mystery. The films of Puenzo are. Death and transfiguracin. The transfiguracin of the protn. Harry Potter and the philosopher's stone. Films Series. Genres. Title: 14 04 2017 The Mail. As in a transfiguracin, in. Entries on 2017 written by sergimgrau. Men. Reasoning and questioning in the light of the Faith catholic on the books or films about. Thriller Crime; Romance. Transfiguracin. Films DVD: DVD on V. O. DVD gay;. Kingdom of Cordelia 2017. Biography Movies Watch The Swim Team (2017). Both poems represent the transfiguracin potica on the topic of Andaluca. Reviews of 9. 9. The frequency of terror (1. Agustí Villaronga has earned since the beginning of his filmography, on its own merits, the tag of a filmmaker of cult independent and, in a way, cursed as his film is a triggered euphoria of the themes gory and transgressive that is, served with a careful and deep aesthetics that will help you create a unique personal universe. Behind the glass’, a film that reveals the human condition more muffled from the delusions and impulses more deep and dark desire. Rara avis in which mixes the drama of macabre stories of ghosts, where the moral misery and the pain of the void make it more close communion between the world of the tangible world and the world of the shadows. Villaronga uses the radio as a medium to exert on it a profound exercise of transmutation hypnotic and draw on his story an aura of unfathomable mystery with the search for physical images, what it lacks the means, in connection with a voice and some words. Villaronga acts as a reflective thinker of this gap and encourages us even more in the case of the support of radio, to immerse yourself in the world of the weird, the universe of the creation of mental images as a basis gnoseológica, to scrutinize that which cannot be seen, and to analyze exhaustively the infinite number of spirits, fantasmagorías and monsters that populate the stories of our lives and who whim penetrate in our tangible world and in the spheres of the irrational part of our consciousness. This exercise proto - entelechy reflective to the radio is underlined by the talented stylist atmospheric Javier Aguirresarobe in the direction of photography, a type which, particularly in 9. The film is punctuated by a high colour contrast, between the blue plúmbeo of a dark and ochre tones, which enhance the proposal in its most mysterious and magical. However, what most could call the attention of the 9. Villaronga is the eternal struggle of creative that will be divided into two halves, two personalities, bipolar, as a screenwriter and as a director. This film is a true visual feast for the nausea, the filmmaker Catalan so that the images are compelling, images you magnetize, connect and catch you in its intricate dark universe. They are also agile, given the overt drama usual. Of course they are mysterious, because the gender used is the mystery and not the suspense. The first appeals to the emotions, while the second to the reflections. Their particular imprint of the visual has a strong character symbolism showing the transfiguration of reality by means of various remarks and descriptions of the flow of consciousness, the highest representation of your style. I, however, say, the intentions of its aesthetics collide head-on with its pretensions of being a writer. As such, doing honor to the genre, looking for the sensationalism and twisting, melodramatic as well as the tendency to dialogue rezumante of imposture. Here, as a consequence, there is the antithesis as director, belonging to a world of expressiveness opposite that drives his story towards the static, as suggested, the silence. As director commune perfectly with the symbolism of the instrument radio because it is channelled through what is not obvious, to the absence, the search of the looks, the suspicion, the thoughts and desires repressed. In these attributes, and his film reaches heights worthy of wonder at the level of Montxo Armendáriz or Victor Erice. As a screenwriter, however, looms more obviously cinematic. Frequent brushing with a morbid psychology and elementary cause the formalism more worn out in terms of thriller clear and thrilling tone. Evidence only as a genre and not as a script, which is full of meanders and decisions that make it difficult to effect penetration in a universe which disarms the placidity espectatorial and subjugate satisfactorily at the time to follow the thread of a plot by supernatural and convoluted that crosses echoes with the unusual phenomenology of The faces of Bélmez. By way of conclusion, to mention just the admiration that I suppose the musings and meditations of Villaronga on the radio as an instrument of communication but also, from the conception darkest of the human psyche, of introspection and concealment of certain people, broadcasters, in this case, whose life is shown as deemed severable, by means of the disappointment, the alienation and rejection, that have assumed that their temple of atonement zen is located behind a microphone, between the waves.